- University of Edinburgh, Classics, History and Archaeology, AlumnusUniversity of Oxford, History, AlumnusUniversity of Oxford, Oriental Studies, Department Memberadd
- Byzantine History, Medieval Armenian Culture, Medieval Georgia, Medieval Armenian Literature, Byzantine Literature, Crusades and the Latin East, and 32 moreAnatolian Studies, Late Antiquity, Byzantine Studies, Late Antique and Byzantine Studies, Medieval Historiography, Seljuks (Islamic History), Armenian Epigraphy and Paleography, Byzantine Epigraphy, Identity (Culture), Self and Identity, National Identity, Armenian Studies, Late Antique and Byzantine History, Armenian Culture, Armenian History, Byzantine historiography, Byzantine history and archaeology, Medieval History, Byzantium, Medieval Studies, Ethnicity and National Identity, Social Theory, Social History, South Caucasus, Caucasus, Archaeology of Caucasus, Caucasian Studies, Georgian Studies, Georgian literature, Historical Materialism, Marxist theory, and Marxist political economyedit
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Research Interests: Social Theory, Marxism, Armenian Studies, Anatolian Studies, Race and Ethnicity, and 11 moreByzantine Studies, Marxist theory, Byzantine History, Armenian History, Armenian Culture, Social History, Historical Materialism, Ethnicity, Caucasian Studies, Ethnicity and National Identity, and Medieval Armenian History
Original call for papers: The Classical Roman Empire has been described as an ‘empire of cities’, and both the reality and ideal of civic life remain central to its late-Antique and Medieval successor. Indeed, the term ‘Byzantine’ itself... more
Original call for papers:
The Classical Roman Empire has been described as an ‘empire of cities’, and both the reality and ideal of civic life remain central to its late-Antique and Medieval successor. Indeed, the term ‘Byzantine’ itself shows the importance placed by scholars on Constantine I’s refounding of Byzantion as the New Rome. Yet in 330 A.D. Constantinople was part of an urban landscape which included other, more ancient civic centres, whilst by 1453 A.D. little else remained but the City, itself a collection of villages and the Theodosian walls the frontier. Across this Byzantine millennium Constantinople was inextricably linked to the other cities of the empire, from the Golden Horn to the ever-shifting frontiers. With the apparent seventh-century disappearance of city-life in the broad new Anatolian borderlands, the strength of the Greek mainland in the twelfth century, and the rise of post-Byzantine cities in the old western frontiers of southern Italy and Venice, the vicissitudes of urban life in the empire are undoubtedly linked to each moment of change. Constantinopolitan artistic and architectural forms are fleshed in the local materials of Ravenna in the sixth century, and in the eleventh and twelfth centuries provincially-born men, educated in the City, become the bright lights of the so-called Komnenian Renaissance. Yet how are we to understand this dialectic between the City, the cities, and the imperial frontier? Moreover, what are the methodologies and conceptual frameworks which we might use to approach these issues?
The Classical Roman Empire has been described as an ‘empire of cities’, and both the reality and ideal of civic life remain central to its late-Antique and Medieval successor. Indeed, the term ‘Byzantine’ itself shows the importance placed by scholars on Constantine I’s refounding of Byzantion as the New Rome. Yet in 330 A.D. Constantinople was part of an urban landscape which included other, more ancient civic centres, whilst by 1453 A.D. little else remained but the City, itself a collection of villages and the Theodosian walls the frontier. Across this Byzantine millennium Constantinople was inextricably linked to the other cities of the empire, from the Golden Horn to the ever-shifting frontiers. With the apparent seventh-century disappearance of city-life in the broad new Anatolian borderlands, the strength of the Greek mainland in the twelfth century, and the rise of post-Byzantine cities in the old western frontiers of southern Italy and Venice, the vicissitudes of urban life in the empire are undoubtedly linked to each moment of change. Constantinopolitan artistic and architectural forms are fleshed in the local materials of Ravenna in the sixth century, and in the eleventh and twelfth centuries provincially-born men, educated in the City, become the bright lights of the so-called Komnenian Renaissance. Yet how are we to understand this dialectic between the City, the cities, and the imperial frontier? Moreover, what are the methodologies and conceptual frameworks which we might use to approach these issues?
